This has mainly performance benefits, so that we only need to call into
all processors once for every audio buffer segment. It requires
adjusting quite some logic in most processors and in Track, as we have
to consider a larger collection of notes and samples at each step.
There's some cautionary TODOs in the currently unused LibDSP tracks
because they don't do things properly yet.
This was a leftover from the early days of Piano, and there's no reason
to leave it that way especially if we want to use more complex
collection APIs in the future.
The file is now renamed to Queue.h, and the Resampler APIs with
LegacyBuffer are also removed. These changes look large because nobody
actually needs Buffer.h (or Queue.h). It was mostly transitive
dependencies on the massive list of includes in that header, which are
now almost all gone. Instead, we include common things like Sample.h
directly, which should give faster compile times as very few files
actually need Queue.h.
For the upcoming synthesizer, having an abstracted ADSR envelope concept
is highly desirable. Additionally, Envelope is mostly constexpr and
therefore super fast :^)
This fixes all current code smells, bugs and issues reported by
SonarCloud static analysis. Other issues are almost exclusively false
positives. This makes much code clearer, and some minor benefits in
performance or bug evasion may be gained.
Previously, a collection of notes (Vector or Array) would be created and
promptly deleted for every sample (at least 44 thousand times per
second!). This was measured to be one of the most significant
performance drawbacks as well as the most obvious performance
improvement I could currently find here. Although it will not cause
Piano to lag currently (at least on virtualized systems), I see an
incoming issue once we get the capability to use more processors.
Now, we use a HashMap correlating pitches to notes, and Track reuses the
data structure in order to avoid reallocations. That is the reason for
introducing the fast clear_with_capacity to HashMap.
"Frame" is an MPEG term, which is not only unintuitive but also
overloaded with different meaning by other codecs (e.g. FLAC).
Therefore, use the standard term Sample for the central audio structure.
The class is also extracted to its own file, because it's becoming quite
large. Bundling these two changes means not distributing similar
modifications (changing names and paths) across commits.
Co-authored-by: kleines Filmröllchen <malu.bertsch@gmail.com>
